‘Gail Daughtry and the Celebrity Sex Pass’: A Delightfully Demented ‘Wizard of Oz’ Riff

Director David Wain is back in ‘Wet Hot American Summer’ mode and sends Hollywood through his wonderfully bizarre filter.

America at 250: A Tale of Two Celebrations

People want to come to a tailgate, not a country club.

Six Best Movies of 2026 So Far

For those who would like to do a little catching up.

‘Supergirl’ Already Feels Antiquated

The new superhero blockbuster looks to be the hit movie of 2018.

The Nintendo Switch 2 Needs a Change-Up

A company that prides itself on innovation keeps making the same mistakes.

‘The Death of Robin Hood’ Review: Truth, Lies and Reconciliation

Michael Sarnoski’s drama ponders a way forward outside of retribution or atonement.

You Can’t Fake ‘The Furious’

Kenji Tanigaki’s action film showcases the unique, violent thrills of incredible martial arts choreography.

‘Backrooms’ and ‘Obsession’ May Signal a Sea Change, but Major Studios Won’t Go Quietly

The new horror films from Gen Z YouTubers are dominating at the box office, and yet this isn’t quite the same moment as the 1970s.

‘Masters of the Universe’: An Endearingly Clumsy Grasp for Power

Tonally confused and narratively abrupt, the new adaptation maintains a winning charm despite its faults.

‘Power Ballad’ and the Bizarre Gap in Paul Rudd’s Filmography

John Carney’s latest movie is another reminder that Rudd is far more than a funny guy.

‘Backrooms’ Is a Setting in Search of a Story

Beguiling production design is ultimately a dead-end in Kane Parsons’ debut feature.

‘Margo’s Got Money Troubles’ and the Troubling Demands of TV Adaptation

How does a 300-page book sustain at least two seasons of television?