star wars
Kathleen Kennedy Wielded the Grey Side of The Force
Her leadership of Lucasfilm under Disney was a massive financial success. But creatively, ‘Star Wars’ feels more listless than ever before.
star wars
Her leadership of Lucasfilm under Disney was a massive financial success. But creatively, ‘Star Wars’ feels more listless than ever before.
movies
Two roads diverged, and I took the one without the satanists.
movies
The sequel is a fine disaster drama but largely feels like a retread of the first movie.
movies
A look at how the Sundance Film Festival has changed and what its future holds as it decamps from Park City, Utah.
movies
There’s a lot to look forward to in the new year.
movies
Hollywood may be in trouble, but the movies aren’t.
media
A reactionary conservative covering up for the Republican government?! What in the Fox News?!
The NYT columnist is more interested in flattering his ego than telling the truth.
How the success of 'KPop Demon Hunters' might point to a fascinating hybrid model for the streamer.
Major publications are shedding professional expertise in favor of never upsetting anyone ever again.
Tony Gilroy's brilliant series celebrated the messy heroism of normal people.
A pretty good newsletter about movies, TV, and media.
The latest Park chan-wook film is a biting dark comedy about an increasingly anti-human world.
Tom Gormican’s aggressively goofy update of the 1997 movie is a delightful romp.
For his third feature, the director chooses a smaller, more intimate lens for a story of artistic expression and unsteady marriages.
Kleber Mendonça Filho’s drama is a sly look at life under authoritarianism.
Cameron continues to care about the world of Pandora, but none of the characters or stories within it.
The late director sits alongside the best cinema and America has to offer.
This is probably not going to go well for the Mouse House.
The Oscar-winning filmmaker’s latest (and likely last) picture is a stunning failure on almost every level.
In today’s media landscape, there are only degrees of disaster.
The jokes come at a furious, uneven clip in Jim O’Hanlon’s send-up of ‘Downton Abbey.’
Paul Thomas Anderson's latest film scored seven wins from the critics group.
In trying to throw a tonal change-up into his ‘Knives Out’ series, writer-director Rian Johnson loses some of its core identity.