movies
‘Fackham Hall’ Is a Proper Spoof That Relishes Being Improper
The jokes come at a furious, uneven clip in Jim O’Hanlon’s send-up of ‘Downton Abbey.’
movies
The jokes come at a furious, uneven clip in Jim O’Hanlon’s send-up of ‘Downton Abbey.’
movies
Paul Thomas Anderson's latest film scored seven wins from the critics group.
movies
In trying to throw a tonal change-up into his ‘Knives Out’ series, writer-director Rian Johnson loses some of its core identity.
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While it’s not a perfect movie, the new sequel feels like a different species from the studio’s past three duds.
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Once you finish drying your eyes, Chloé Zhao’s drama requires some unraveling.
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What is the point of a press tour?
movies
Noah Baumbach’s bittersweet character study looks at how life always feels incomplete no matter how many roles you play.
The NYT columnist is more interested in flattering his ego than telling the truth.
How the success of 'KPop Demon Hunters' might point to a fascinating hybrid model for the streamer.
Major publications are shedding professional expertise in favor of never upsetting anyone ever again.
Tony Gilroy's brilliant series celebrated the messy heroism of normal people.
A pretty good newsletter about movies, TV, and media.
It takes a village and there is no more village.
Clint Bentley’s soulful, melancholy drama turns an American myth on its head.
David Michôd’s movie rests on too many clichés to find the unique aspects of Christy Martin’s story.
Microsoft is nixing a successful brand and community to chase profits it will never acquire.
Director Yorgos Lanthimos remains a master of dark comedy, but his latest feature struggles under its shallow fatalism.
Richard Linklater’s latest will send you hunting for New Wave movies that aren’t available on the biggest streamer.
DaCosta’s update of ‘Hedda Gabler’ is an exhausting whirlwind of deception, lust, and status.
The bluster and bombast of Edward Berger’s direction can’t overcome a cliché-ridden, silly script.
The dramatic thriller features a collection of amazing performances, but they’re undercut by a bland setting.
The film never takes a single chance as it celebrates the creative risks and emotional vulnerability Bruce Springsteen showed on ‘Nebraska.’
Raoul Peck’s documentary uses Orwell’s writings to explain totalitarianism but does little to expand or unpack the famous author’s observations.
The scariest aspect of his adaptation is that one of our best directors may have run out of things to say.