movies
Top 10 Films of 2025
Hollywood may be in trouble, but the movies aren’t.
movies
Hollywood may be in trouble, but the movies aren’t.
media
A reactionary conservative covering up for the Republican government?! What in the Fox News?!
movies
The latest Park chan-wook film is a biting dark comedy about an increasingly anti-human world.
movies
Tom Gormican’s aggressively goofy update of the 1997 movie is a delightful romp.
movies
For his third feature, the director chooses a smaller, more intimate lens for a story of artistic expression and unsteady marriages.
movies
Kleber Mendonça Filho’s drama is a sly look at life under authoritarianism.
movies
Cameron continues to care about the world of Pandora, but none of the characters or stories within it.
The NYT columnist is more interested in flattering his ego than telling the truth.
How the success of 'KPop Demon Hunters' might point to a fascinating hybrid model for the streamer.
Major publications are shedding professional expertise in favor of never upsetting anyone ever again.
Tony Gilroy's brilliant series celebrated the messy heroism of normal people.
A pretty good newsletter about movies, TV, and media.
The late director sits alongside the best cinema and America has to offer.
This is probably not going to go well for the Mouse House.
The Oscar-winning filmmaker’s latest (and likely last) picture is a stunning failure on almost every level.
In today’s media landscape, there are only degrees of disaster.
The jokes come at a furious, uneven clip in Jim O’Hanlon’s send-up of ‘Downton Abbey.’
Paul Thomas Anderson's latest film scored seven wins from the critics group.
In trying to throw a tonal change-up into his ‘Knives Out’ series, writer-director Rian Johnson loses some of its core identity.
While it’s not a perfect movie, the new sequel feels like a different species from the studio’s past three duds.
Once you finish drying your eyes, Chloé Zhao’s drama requires some unraveling.
What is the point of a press tour?
Noah Baumbach’s bittersweet character study looks at how life always feels incomplete no matter how many roles you play.
It takes a village and there is no more village.